Saturday, December 13
Pape’ Jam: Oregon Ducks vs. San Diego Toreros
The Ducks will make their annual visit to the Rose Garden this month, but it’ll be a very different Oregon team with Malik Hairston, Bryce Taylor and Maarty Leunen all having graduated. This year’s squad belongs to pint-sized gunner Tajuan Porter, dynamic forward Joevan Catron and a collection of intriguing young prospects like freshman center Michael Dunigan.
Where: Rose Garden
When: 5pm
Tickets: 877-789-ROSE, rosequarter.com
Additional Home Dates (all at McArthur Court): 12/7 vs. Kansas State, 12/13 vs. San Diego, 12/17 vs. St Mary’s, 12/20 vs. Portland, 12/29 vs. Long Beach State
Friday, December 12, 2008
Thursday, December 11, 2008
The Pretenders & Amos Lee
Roseland Theater
December 12
Is it me or is going to a Pretenders and Amos Lee concert like going to see Cher and Ben Harper? Hmm. It is quite an odd pairing, isn’t it? On the one hand you have The Pretenders, a British group, formed in 1978, that has since developed into a blend of ’80s new wave and early ’90s rock ’n roll. Then, on the other hand, you have Amos Lee, a relatively new face when compared the Pretenders’ resume, whose sound stems from old-timey blues and folk story telling. Nevertheless, the abnormal coupling of the two artists might prove a complement to each other.
To their credit, they both put on involved, high-energy performances and each have a large fan base. Speaking of, both have had albums come out this year with a high degree of positive response. The Pretenders’ Break Up the Concrete debuted at number 32 on Billboard’s album chart in October; and Amos Lee’s Last Days at the Lodge received critical acclaim. The show will be happening at the Roseland Theater on December 12 with ticket prices slightly expensive at $40 a pop.
–Dave McAlinden
December 12
Is it me or is going to a Pretenders and Amos Lee concert like going to see Cher and Ben Harper? Hmm. It is quite an odd pairing, isn’t it? On the one hand you have The Pretenders, a British group, formed in 1978, that has since developed into a blend of ’80s new wave and early ’90s rock ’n roll. Then, on the other hand, you have Amos Lee, a relatively new face when compared the Pretenders’ resume, whose sound stems from old-timey blues and folk story telling. Nevertheless, the abnormal coupling of the two artists might prove a complement to each other.
To their credit, they both put on involved, high-energy performances and each have a large fan base. Speaking of, both have had albums come out this year with a high degree of positive response. The Pretenders’ Break Up the Concrete debuted at number 32 on Billboard’s album chart in October; and Amos Lee’s Last Days at the Lodge received critical acclaim. The show will be happening at the Roseland Theater on December 12 with ticket prices slightly expensive at $40 a pop.
–Dave McAlinden
Tuesday, December 9, 2008
Meshell Ndegeocello
Aladdin Theater
December 10
Despite the fact that I don’t particularly enjoy the musical stylings of Meshell Ndegeocello, I do possess a great deal of respect for the magnitude of her talent.
One would have no ear for music to say she is not good at what she does—she most certainly is. In fact, she’s good enough to merit nine Grammy nominations since the inception of her most impressive debut album, Plantation Lullabies, in 1993. And, oh, the woman can slap a bass—it’s like watching a fireworks display soaked in sweat. That is to say I don’t only appreciate her skills as a musician, but her wowing ability as a performer leaves me a little rapt regardless of my aural preferences.
Starting young in music, Ndegeocello attended The Duke Ellington School of the Arts in Washington, D.C. from which she hails. Her music incorporates soul, hip hop, reggae, R&B, acid jazz, rock and of course, FUNK. If you would like to hear this seamless cacophony of genre and style you can purchase tickets to see Ndegeocello perform on the 10th for only $25.
–Dave McAlinden
Friday, December 5, 2008
One Night in Frogtown
Bagdad Theater
December 6
Do you enjoy music? Do you embrace cultural diversity? If you do—and I hope you do—you will thoroughly enjoy Philip Pelletier’s One Night in Frogtown (One World Musical Books), a critically acclaimed story that was nominated for the 2008 Oregon Book Award for Children’s Literature. One Night in Frogtown tells the coming-of-age tale of a saxophone wailing tadpole which will be performed by Curtis Salgado, Linda Hornbuckle, Devin Phillips and Oregon Symphony soloists on Saturday, December 6 at the Bagdad Theater (3702 SE Hawthorne Blvd, 236-9234). At $5 a pop, the tickets are a pinch for the amount of fun you and your family will have. Get tickets at the Bagdad Theater, the Crystal Ballroom box office and ticketmaster.com.
–Dave McAlinden
December 6
Do you enjoy music? Do you embrace cultural diversity? If you do—and I hope you do—you will thoroughly enjoy Philip Pelletier’s One Night in Frogtown (One World Musical Books), a critically acclaimed story that was nominated for the 2008 Oregon Book Award for Children’s Literature. One Night in Frogtown tells the coming-of-age tale of a saxophone wailing tadpole which will be performed by Curtis Salgado, Linda Hornbuckle, Devin Phillips and Oregon Symphony soloists on Saturday, December 6 at the Bagdad Theater (3702 SE Hawthorne Blvd, 236-9234). At $5 a pop, the tickets are a pinch for the amount of fun you and your family will have. Get tickets at the Bagdad Theater, the Crystal Ballroom box office and ticketmaster.com.
–Dave McAlinden
Thursday, December 4, 2008
“Maternal Legends”
23 Sandy Gallery
Merriam-Webster defines the word legend as “a person or thing that inspires.” The artists who are featured in this month’s exhibit at 23 Sandy Gallery have created art inspired by family—specifically the women in their family. The influence our mothers, grandmothers and sisters have had on our lives often derives from the way their own mothers and grandmothers shaped their lives. The books created by artists from around the world for “Maternal Legends” are born out of this inspiration.
This exhibit will feature artwork related to the book arts, which have been created in editions and as one-of-a-kind pieces of art. Artist books, sculptural books, book objects, altered books, zines and broadsides will all be included in this themed exhibit.
The show will be juried by Cara List, the art and art history librarian at the University of Oregon’s Architecture and Allied Arts Library. As the curator of the Artists’ Book Collection, she teaches extensively with artists’ books. List earned a master of fine arts degree in painting from the School of Visual Arts in New York, where she worked and exhibited for a number of years before she earned a second masters in information science at the University of Michigan.
There will be a reception for the artists on Friday, December 5 from 6pm–9pm, and the show will run from December 5–January 3. Gallery hours are Thursday–Saturday from 12pm–6pm. For more information, visit 23gallery.com.
–Shanon Emerson
Wednesday, December 3, 2008
Blitzen Trapper
Wonder Ballroom
December 4
Imagine Neil Young and Stephen Malkmus (Pavement) were in a serious relationship. Now imagine Malkmus once cheated on Young with Jeff Tweedy (Wilco). Then suppose the Pavement lead got pregnant as a product of this affair and they both vowed to keep the true origin of the pregnancy a secret. In an attempt to eradicate his estranged guilt, Malkmus convinces Young to move to Oregon. Young, not knowing the baby is another musician’s love child, raises it with his partner to the best of his influence. That baby then grows into Blitzen Trapper, a Portland band on SubPop that can rival Beck in any contest of composition and lyricism.
Hypothetical situations aside, Blitzen Trapper is a well-coordinated group of solid musicians. They are what Dylan might have sounded like in the ’90s if he didn’t have his weird little breakdown in the ’70s. With clean Southwestern progressions—which aren’t country enough to be car-commercial annoying—coupled with the depth and cadence lyrics should possess, one can most certainly say that Blitzen Trapper pretty much rocks. They also fill that hollowness that seems to ache in the background of most folk songs with a fantastic electric ambience which sets them apart. It will be nice to welcome them home; all ages are welcome to do so.
Tickets are available either through the Wonder Ballroom or TicketMaster for about 10 bucks—well worth the show, if I may say. If you’ve never heard their music I would suggest checking out the tracks “Furr” from the album of the same name, and “Big Black Bird” from EP 3—they really kick ass.
–Dave McAlinden
December 4
Imagine Neil Young and Stephen Malkmus (Pavement) were in a serious relationship. Now imagine Malkmus once cheated on Young with Jeff Tweedy (Wilco). Then suppose the Pavement lead got pregnant as a product of this affair and they both vowed to keep the true origin of the pregnancy a secret. In an attempt to eradicate his estranged guilt, Malkmus convinces Young to move to Oregon. Young, not knowing the baby is another musician’s love child, raises it with his partner to the best of his influence. That baby then grows into Blitzen Trapper, a Portland band on SubPop that can rival Beck in any contest of composition and lyricism.
Hypothetical situations aside, Blitzen Trapper is a well-coordinated group of solid musicians. They are what Dylan might have sounded like in the ’90s if he didn’t have his weird little breakdown in the ’70s. With clean Southwestern progressions—which aren’t country enough to be car-commercial annoying—coupled with the depth and cadence lyrics should possess, one can most certainly say that Blitzen Trapper pretty much rocks. They also fill that hollowness that seems to ache in the background of most folk songs with a fantastic electric ambience which sets them apart. It will be nice to welcome them home; all ages are welcome to do so.
Tickets are available either through the Wonder Ballroom or TicketMaster for about 10 bucks—well worth the show, if I may say. If you’ve never heard their music I would suggest checking out the tracks “Furr” from the album of the same name, and “Big Black Bird” from EP 3—they really kick ass.
–Dave McAlinden
Tuesday, December 2, 2008
OMSI After Dark
December 3
The Oregon Museum of Science and Industry is about to bring you science, sans kids. We all know OMSI is cool, but sometimes, whether you’re a parent or not, it’s hard to really enjoy the museum when the kid energy is so high. Fortunately, OMSI will be opening its doors to the 21-and-older crowd on December 3; no kids, just science. Did we mention that there will be food, beer and wine too? It’s all in the name of science, of course. You will be able to learn about the science behind food and beverages from local artisans from establishments such as Caffe Vita, Full Sail Brewing, Clear Creek Distillery and Moonstruck Chocolate. Don’t worry, there will also be appetizers and a cash bar if you want more that just a nibble or a sip. While you’re enjoying your beverage you can explore the entire museum and check out all the things those pesky kids would never let you near. The museum will be open from 6pm–10pm on December 3. Admission is free for members and is $10 for non-members. (omsi.edu/afterdark)
–Shanon Emerson
The Oregon Museum of Science and Industry is about to bring you science, sans kids. We all know OMSI is cool, but sometimes, whether you’re a parent or not, it’s hard to really enjoy the museum when the kid energy is so high. Fortunately, OMSI will be opening its doors to the 21-and-older crowd on December 3; no kids, just science. Did we mention that there will be food, beer and wine too? It’s all in the name of science, of course. You will be able to learn about the science behind food and beverages from local artisans from establishments such as Caffe Vita, Full Sail Brewing, Clear Creek Distillery and Moonstruck Chocolate. Don’t worry, there will also be appetizers and a cash bar if you want more that just a nibble or a sip. While you’re enjoying your beverage you can explore the entire museum and check out all the things those pesky kids would never let you near. The museum will be open from 6pm–10pm on December 3. Admission is free for members and is $10 for non-members. (omsi.edu/afterdark)
–Shanon Emerson
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